Human Zoos
THIRST for REVENGE
IMPORTANT:  
 
Under no circumstances do we claim to belong to any aboriginal community. We are mestizos, and by being immigrants in Europe we recognize the privilege of being here, talking about this, while the surviving victims of the ravages caused by the multiple businesses of Colonialism and Capitalism are still resisting if they haven't desisted, fighting and dying if they can't be forcedly submitted to this imposed system. We are a channel, we are communication, we are miscegenation, we are bastards, we are rage, we are DECOLONIZATION.
 
The performance HUMAN ZOOS presents the untold history of European Ethnological Exhibitions (19th - 20th Century). Thousands of native people from America, Africa and Asia were kidnapped to be displayed at these popular events. They were victims of exploitation, abuse, rape and even experimentation for medical research.
Through installation, audiovisual material and imaginatively playing the roles of “savages” in eternal captivity making imposed “shows”, we reveal deplorable historical facts performing a psychomagic ritual of revenge and liberation on their behalf.
We know that by studying, exposing and representing this hidden history we make ourselves somehow accomplices of this aberrant facts which provoke a mix of fascination and horror, but it’s a burden we accept to carry as the cost of the truth.
The only real death is oblivion, and we are not willing to forget them; that's why we make this performance “despite everything”, because no matter how brutal and inhumane this show can be, it will never reach the cruelty of reality.
What is forgotten can be repeated, and this should never happen again.
 
ABOUT THE PROJECT:
This is a work of investigation and interpretation, with no lucrative intentions, totally self-managed and in constant evolution and modification; therefore every representation has been different to the former ones, and each time it exists the necessity of investigating and digging more and more.
Human Zoos was already presented in “Festival Annulé” Toulouse, France; “La Feria de los Monstruos” Madrid, Spain; “Queer Mutante Panik Party” Brussels, Belgium; and in “Queer Take Over, KÖPI’s Birthday Gala” Berlin, Germany.
In current presentations we are making emphasis in the genocide of the Selk'nam people from Patagonia, South America, which led to the extinction of their race and their traditions, as well as in the current Chilean situation, where lands are being exploited and nature destroyed by the same heirs of this ethnic cleansing's authors, while the few remaining natives are still fighting for their lands and the survival of their cultures, like most of the aboriginal communities worldwide which have not been yet annihilated.
Now the performance has evolved into a gruesome hybrid between “Human Zoos”, “Forced Syncretism” and “Fuck the Fascism” - three art projects connected by history, abuse and Maria Basura - which was premiered in October at the Berlin PornFilmFestival as:
“Thirst for Revenge: The Pornographic Side of Colonialism's Hidden History ”
…
For more information, videos, fotos, reference links and news, please be welcome to explore this blog we are building for you.
Open Lettrer: Macro And Micro-Fascisms Working Until Today
 "This
performance is racist!" Some people in the audience cry out, very
upset and “moved” (funny, those affected were all white European
Germanic people) exposing as their only vital argument, the fact that
the colour of our skins is relatively light and does not respond to
the Walt Disney imaginary these people have regarding what a South
American person must be and look like, to them. Absolutely lost in
the likeness of Pocahontas, they try to invalidate our position,
research work, love, anger and hatred, which those abhorrent, but
true events raise in us. The discrimination and abuse that we get
from this Eurocentric system seemingly not enough, we must also get
it from Anarchopolice, invalidating our experiences and visions,
based on their sensitivities regarding this white moral supremacy.
What colour should we be in order to talk, discuss, express our views
on the humiliations of colonialism? Or is it that the mestizo being
is so deplorable that we are not even considered within the chromatic
political chart for these European white people (actually white) who
enjoy hundreds of privileges?
"This
performance is racist!" Some people in the audience cry out, very
upset and “moved” (funny, those affected were all white European
Germanic people) exposing as their only vital argument, the fact that
the colour of our skins is relatively light and does not respond to
the Walt Disney imaginary these people have regarding what a South
American person must be and look like, to them. Absolutely lost in
the likeness of Pocahontas, they try to invalidate our position,
research work, love, anger and hatred, which those abhorrent, but
true events raise in us. The discrimination and abuse that we get
from this Eurocentric system seemingly not enough, we must also get
it from Anarchopolice, invalidating our experiences and visions,
based on their sensitivities regarding this white moral supremacy.
What colour should we be in order to talk, discuss, express our views
on the humiliations of colonialism? Or is it that the mestizo being
is so deplorable that we are not even considered within the chromatic
political chart for these European white people (actually white) who
enjoy hundreds of privileges? By
calling us racists, you have done nothing except proving that you are
infected by micro-fascisms and colonialism, placing your morals as a
judging actor. You thus expose your absolute ignorance in regards to
Abya Yala (Abya Yala, the name given by the Kuna people to what is
better known, colonially, as America ). Taking into account that it
is hard work to leave behind the filthy prejudices with which we are
poisoned when we begin our education and integration into society,
regarding our indigenous roots, you come to invalidate our
empowerment.
By
calling us racists, you have done nothing except proving that you are
infected by micro-fascisms and colonialism, placing your morals as a
judging actor. You thus expose your absolute ignorance in regards to
Abya Yala (Abya Yala, the name given by the Kuna people to what is
better known, colonially, as America ). Taking into account that it
is hard work to leave behind the filthy prejudices with which we are
poisoned when we begin our education and integration into society,
regarding our indigenous roots, you come to invalidate our
empowerment. Human
Zoos has not only meant going into a gigantic labour, but rather an
abortion of all the colonialist education we got thanks all the
History books coming from Europe, where key topics like this have
been completely avoided. We
are shaped by indigenous and colonialist blood, that is why we are
mestizo and it is our right, and our right only, to become empowered
by the histories of those who are not able to speak anymore, because
they have been exterminated, or those on whom oppression is so great
that indeed stage performance is not their priority. Is
it that you do not realize that you are only reproducing that which
you assert to hate as you try to boycott our work (work with no
monetary compensation)? Or is it that I, a Sudaka, should be careful
with the way I stand on stage not to hurt the sensitivity of a white
ass? Well, no, I reject your lack of reflection. We will not stop
presenting this performance or change it to stop making you
uncomfortable, because I am not here to entertain you.
Human
Zoos has not only meant going into a gigantic labour, but rather an
abortion of all the colonialist education we got thanks all the
History books coming from Europe, where key topics like this have
been completely avoided. We
are shaped by indigenous and colonialist blood, that is why we are
mestizo and it is our right, and our right only, to become empowered
by the histories of those who are not able to speak anymore, because
they have been exterminated, or those on whom oppression is so great
that indeed stage performance is not their priority. Is
it that you do not realize that you are only reproducing that which
you assert to hate as you try to boycott our work (work with no
monetary compensation)? Or is it that I, a Sudaka, should be careful
with the way I stand on stage not to hurt the sensitivity of a white
ass? Well, no, I reject your lack of reflection. We will not stop
presenting this performance or change it to stop making you
uncomfortable, because I am not here to entertain you. Do
you, moral judges, know the number of mestizo people who starve or
waste their lives working to pay high prices, only because they exist
and to be able to sustain your European comfort systems? Did you know
that in Chile, in our schools, homes, media, the native is considered
a terrorist? That the language imposed on us was Spanish, losing the
wonderful opportunity to learn since innocent childhood these
exquisite languages and cultures belonging to the lands where we were
born? In order to be here, I had to go through humiliating processes
in which I was even asked for medical tests to prove I did not have
any infectious contagious disease through which I could make a good
European ill (ironic, isn’t it?), as well as endless documents
showing through economic means, that I was “somebody”. Once here
this does not stop, I became an illegal alien, the infinite
immigration proceedings do not cease and it is almost like you have
to offer thanks when given the permission to walk these lands. And,
not happy with everything I must endure, there are still people,
calling themselves pro-feminists, thinking libertarians and
anarchists, who pinpoint the debate on the colour of our skins,
taking everything to white and black extremes, thus annihilating all
of us who exist within the range of greys in between, not even
informing themselves on the context, intending to censor and outlaw
our discourses.
Do
you, moral judges, know the number of mestizo people who starve or
waste their lives working to pay high prices, only because they exist
and to be able to sustain your European comfort systems? Did you know
that in Chile, in our schools, homes, media, the native is considered
a terrorist? That the language imposed on us was Spanish, losing the
wonderful opportunity to learn since innocent childhood these
exquisite languages and cultures belonging to the lands where we were
born? In order to be here, I had to go through humiliating processes
in which I was even asked for medical tests to prove I did not have
any infectious contagious disease through which I could make a good
European ill (ironic, isn’t it?), as well as endless documents
showing through economic means, that I was “somebody”. Once here
this does not stop, I became an illegal alien, the infinite
immigration proceedings do not cease and it is almost like you have
to offer thanks when given the permission to walk these lands. And,
not happy with everything I must endure, there are still people,
calling themselves pro-feminists, thinking libertarians and
anarchists, who pinpoint the debate on the colour of our skins,
taking everything to white and black extremes, thus annihilating all
of us who exist within the range of greys in between, not even
informing themselves on the context, intending to censor and outlaw
our discourses.
 
 





